{"id":8470,"date":"2017-02-07T21:03:43","date_gmt":"2017-02-07T21:03:43","guid":{"rendered":"http:\/\/paulvallely.com\/archive\/?p=8470"},"modified":"2017-02-21T21:08:25","modified_gmt":"2017-02-21T21:08:25","slug":"salieri-iago-eichmann-donald-trump-hannah-arendt-and-the-voice-of-self-scrutiny","status":"publish","type":"post","link":"https:\/\/paulvallely.com\/archive\/?p=8470","title":{"rendered":"Salieri, Iago, Eichmann, Donald Trump &#8211; Hannah Arendt and the voice of self-scrutiny"},"content":{"rendered":"<p>The name Amadeus means \u201che who loves God\u201d. But in Peter Shaffer\u2019s play of that name it speaks more of \u201che who is loved by God\u201d. The subject of the play, nominally, is Wolfgang Amadeus Mozart though the real protagonist is his contemporary Antonio Salieri. In Shaffer\u2019s imagination, the older journeyman composer is so consumed with jealously at the talent God has prodigally bestowed upon the younger man that he sets out to destroy him.<\/p>\n<p>In the current National Theatre production Salieri is played by Lucian Msamati who last year became the first black actor ever to play Iago for the Royal Shakespeare Company. The two portraits offer a study in contrasting malevolences. In both a fake bonhomie covers a steady duplicity. But Salieri has a vulnerable charm where Iago is driven only by a bitter nihilism. Yet what both share is a frightening self-knowledge which is unable to save them from their corrosive obsession.<\/p>\n<p>Perhaps all great characters in drama, good or evil, share one characteristic. It is the ability to dialogue between their better and worse natures and do it in public before us.<\/p>\n<p>Radio 4\u2019s <em>In Our Time <\/em>this week was on the Jewish thinker Hannah Arendt \u2013 whose book <em>The Origins of Totalitarianism<\/em> is enjoying a surge in sales with the advent of Donald Trump. Arendt is best known for her phrase \u201cthe banality of evil\u201d which was succinctly explained by one of the programme\u2019s academics by contrasting Shakespeare\u2019s Richard III with Adolf Eichmann, the Nazi bureaucrat at whose trial Arendt coined her famous expression.<\/p>\n<p>Shakespeare\u2019s Richard III may have been the embodiment of pure evil but he has a gleeful awareness of his own subtle, false, and treacherous nature \u2013 a consciousness which only deepens the terrifying quality of a character who can descant on his own deformity. Eichmann, by contrast, is a representative of the \u201cnon-thinking self\u201d \u2013 a man who lacked the capability to have a real conversation with himself about his conduct.<\/p>\n<p>Eichmann was a man with an inability to think deeply, said Robert Eaglestone, Professor of Contemporary Literature and Thought at Royal Holloway. He spoke in clich\u00e9s, couldn\u2019t follow a train of thought, lacked a sense of history, and couldn\u2019t understand other people\u2019s point of view. He was, in the fullest sense of the term, thoughtless. This was the sense in which he was banal. There was \u2013 for all the terrible scale of his crime \u2013 no satanic greatness about him. Rather he embodied evil as a privation, an absence of goodness.<\/p>\n<p>Perhaps that is also the difference between evil in fiction and fact. It\u2019s hard to imagined there is much in the way of inner dialogue in the mind of someone like President Trump. He seems so unaware of the boundary between truth and falsehood that when a court declared his travel ban unconstitutional he brazenly described the man who made the ruling as a \u201cso-called judge\u201d. There is more than a scruple of self-doubt lacking in Mr Trump. The voice of self-scrutiny seems absent too.<\/p>\n<p>&nbsp;<\/p>\n<p>from The Church Times<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The name Amadeus means \u201che who loves God\u201d. But in Peter Shaffer\u2019s play of that name it speaks more of \u201che who is loved by God\u201d. The subject of the play, nominally, is Wolfgang Amadeus Mozart though the real protagonist is his contemporary Antonio Salieri. In Shaffer\u2019s imagination, the older journeyman composer is so consumed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,725],"tags":[126],"class_list":["post-8470","post","type-post","status-publish","format-standard","hentry","category-politics","category-trumps-america","tag-evil"],"_links":{"self":[{"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=\/wp\/v2\/posts\/8470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8470"}],"version-history":[{"count":2,"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=\/wp\/v2\/posts\/8470\/revisions"}],"predecessor-version":[{"id":8472,"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=\/wp\/v2\/posts\/8470\/revisions\/8472"}],"wp:attachment":[{"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paulvallely.com\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}